2/9/2017: On Whimsy

I’m reading Harry Potter. And perhaps the thing I like best about Rowling is her whimsy. Now, the temptation to emulate someone I like is fairly standard and something I am aware I should generally avoid. But I think something needs to be said about feeling free to be silly. I don’t have to be so serious all the time.

I’m almost always silly with persons I love. Either silly or surly. Sometimes just sarcastic or ironic. But rarely serious, unless I have been moved to be such, and then only insofar as to communicate that thing about which I am serious. This of course doesn’t include times I am afraid or angry—those are the times I get quiet.

When I write, it’s often as if I’m anxious or angry (I imagine the former). My humor finds no place. I focus more on “what I should say” rather than writing recklessly. I’d rather write recklessly. Joyously. Playfully.

But I imagine it comes with feeling comfortable and free in my communication to others. And I imagine this will come in time. I have written about writing being just another form of dialogue, another aspect of relationship, and I still believe that. And like any relationship, comfort comes with time. And with comfort comes silliness.

Which is more reason to write publicly every chance I get. Not only will it help me break the ice, but I will practice and learn all those other things that I need to learn to be a good, godly person-who-writes. This also includes the other things I have started. Everything that gets me interacting with people.

But at the same time, I think there’s merit to making an effort to let loose in my writing. Much more so than holding back. So I’ll just have to add this to the endless and impossible list of things to be mindful of in my day-to-day, moment-to-moment.

I found this effort helpful during “Fettered Fett,” for my writing class. It was fun, and it only came after I clustered and ended up with the bubble “Write what you like.”

Perhaps I can start making an effort to write fun-ly during my warm-ups, for starters. But I suppose I should at least cognitively make this an option while working on my book.

At the same time, I do have serious times that are not anxious. When I’m moved by something, I communicate to others about that thing, and I do so with emotions pertaining to my being moved. I often write about things that move me, and it’s appropriate to do so not whimsically. But I think there’s a  problem if all I ever write is serious. Such would seem to indicate that I only care about writing those things that move me and not any of the “lesser” things that occupy so much of my in-person time.

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11/23/2016: On Being A Good Writer

It’s not writing that I’m geared for. I guess I’m not really a “writer,” if that’s the case.

My friend talked about having the muscles/strengths necessary to be a good writer, and you can learn the craft of writing even if you don’t have the strengths to be a good one (6/13/2017 Good as in above average, having whatever it takes to make such a writer worth reading in comparison to other writers). That is, those muscles include things like thinking metaphorically, being able to find and make complex patterns, being able to imagine scenes and sensory items, and a desire to create and share emotive things. Writing is just putting those things into words and different arrangements of words and different arrangements of arrangements of words.

Both parts can be improved by learning and practice, but it helps if either one comes naturally. I think the strengths are probably more important because it’s those things that will make the writing worth reading (think Harry Potter).

But I guess, if I were in my right mind and not worried about not being a “writer,” I could have seen that. I never wrote growing up—not exclusively. I tend to go from thing to thing. I like learning new crafts.